The Portraits of Queen Elizabeth II Part 1 | Arrow Tokyo

The Portraits of Queen Elizabeth II Part 1

Collecting banknotes with the portrait of Her Majesty Queen Elizabeth II can be very rewarding experience for any collector regardless of their experience in the hobby. There are so many facets to collecting “Queen banknotes” as so many collectors informally but affectionately refer to this area of collecting. The Queens portrait adorns the “issued” banknotes of twenty-nine unique countries and territories and thirty-three if you include countries and territories whose names have changed over the course of her note issues and currently thirty-five if you include those territories which had specimens, proof notes or mockups produced in anticipation of an issue which never happened. The Queens portrait too has changed many times over the course of her reign from her as a princess to portraits depicting the queen as she is now. Fifteen countries still currently issue and circulate banknotes bearing the Queens image in some form on their notes. It is unlikely that there is another theme within numismatics today that is larger, more diverse or arguably as beautiful nor will there ever be again. - Russell Waller
Compiled by Peter Symes

Portrait 1


Date of Original Portrait: Circa 1934

Photographer: Marcus Adams

This portrait of Princess Elizabeth appeared on the Canadian 20-dollar note which was issued on 11 March 1935. The note was issued with English text (P- 46) and French text (P-47). The original portrait was taken by Marcus Adams, who was the official photographer to the Royal children. The image on the banknotes was engraved by Edwin Gunn who was employed by the Canadian Banknote Company Limited.

Use of this Portrait:
Canada P-46 and 47

Portrait 2


Date of Original Portrait: 1952

Photographer: Dorothy Wilding

This early portrait of The Queen is believed to have been adapted from one of the photographs of Her Majesty taken shortly after the death of her father. However, it is possible that this portrait was taken slightly earlier than some of the other portraits by Dorothy Wilding, which are described below, possibly before the death of her father. The portrait appears to have been taken specifically for coins and postage stamps, which traditionally show the profile of the monarch. However, some banknote designs by Thomas De La Rue had previously used the profiles of King George V and King George VI, and the profile of Her Majesty was required to continue the use of these designs.

Use of this Portrait:
 P-18 & 19
Cyprus P-30

Portrait 3

Adapted from a classic Dorothy Wilding photograph, this is one of only a few portraits of The Queen to show her facing left. Her Majesty is wearing Queen Mary's 'Girls of Great Britain and Ireland' Tiara, which was given to the future Queen Mary as a wedding gift in 1893. The funds for the purchase of the tiara were raised by a committee formed by Lady Eve Greville. The tiara was purchased from Garrard, the London jeweller.

Date of Original Portrait: 1952

Photographer: Dorothy Wilding

q1.jpgPortrait 3a

This portrait, used on the Ceylonese notes and prepared by Bradbury Wilkinson, has a distinct parting of the Her Majesty's hair. In depicting her lips there is a slight distortion, which exaggerates her mouth (particularly when compared to Portrait 3b).

Use of this Portrait:
P-49 to 53

q1.jpgPortrait 3b

This image of Her Majesty by Thomas De La Rue is more pleasing to the eye than the Bradbury Wilkinson engraving. A less distinct parting of the hair, a better depiction of her lips, and adjustments to shading all improve the appearance of Queen Elizabeth.

Use of this Portrait:
P-49 to 52


Portrait 4

While this portrait has several varieties, each variety is copied from a photograph taken by Dorothy Wilding during a single portrait sitting shortly after Elizabeth became monarch. This portrait, in one of its varieties, is the most frequently used image of Queen Elizabeth on world banknotes. The Queen is wearing the George IV State Diadem, created for the coronation of George IV in 1820. Designed with symbols of the rose, thistle and shamrock, the Diadem contains 1,333 diamonds. Queen Elizabeth often wears the Diadem on state occasions. The necklace worn by The Queen, of diamond flowers and leaves, was a wedding present from Nizam of Hyderabad and Berar.

Date of Original Portrait: 1952

Photographer: Dorothy Wilding


Portrait 4a

The most common variety of this Portrait is the engraving prepared for the notes printed by Bradbury Wilkinson and Company. This variety of the portrait is distinguished by the heavy shading on Her Majesty's right cheek and the tilt of the head.

Use of this Portrait:
P-20 to 22
Hong Kong P-324A and 325 to 327
British Honduras P-28 to 32
British Caribbean Territories P-7 to 12
Mauritius P-27 to 29A
Southern Rhodesia P-12 to 18
Cyprus  P-33 to 36
Rhodesia and Nyasaland  P- 20 to 23
Fiji P-51 to 57
Belize  P-33 to 37

q1.jpgPortrait 4b

The second variety of this portrait, which appears on the notes of The Bahamas and Malta, was designed by Thomas De La Rue. It has less shading on the right cheek and The Queen's head does not have the tilt apparent in the Bradbury Wilkinson portrait.

Use of this Portrait:

Bahamas P-13 to 16
Malta P-27 to 29A


q1.jpgPortrait 4c

The portrait on the issues of Malaysia and North Borneo, prepared by Waterlow and Sons, provides a third variety of the Portrait. similar to the Bradbury Wilkinson portrait, this engraving has cleaner lines and the tilt of the head is less distinct.

Use of this Portrait:
Malaya and North Borneo
P-1 to 7 and 9.


q1.jpgPortrait 4d

This engraving, used only on the notes of the East African Currency Board, is distinct because of the depiction of the eyes of Her Majesty. Appearing slightly more closed than on the other varieties of this portrait, her eyes seem to be fixed on an object in the distance. This engraving was prepared by Thomas De La Rue.

Use of this Portrait:
East African Currency Board
P- 33 to 36


q1.jpgPortrait 4

Prepared by Harrisons, the English security printer, this portrait was prepared for use on an essay for an issue of Zambian notes. The Zambian notes were not manufactured and the portrait was never used on an issued note.

Use of this Portrait:

Zambia P-A1

courtesy of Russell Waller